I’ve always loved a good story. I believed that stories helped us to ennoble ourselves, to fix what was broken in us, and to help us become the people we dreamed of being. Lies that told a deeper truth.
Tag: fiction
He read contemporary American fiction, because he hoped to find a resonance, a shaping of his longings, a sense of the America that he had imagined himself a part of. He wanted to know about day-to-day life in America, what people ate and what consumed them, what shamed them and what attracted them, but he read novel after novel and was disappointed: nothing was grave, nothing serious, nothing urgent, and most dissolved into ironic nothingness.
[Horror fiction] shows us that the control we believe we have is purely illusory, and that every moment we teeter on chaos and oblivion.
I’ll bet this, though: in a hundred years, people will be writing a lot more dissertations on Harry Potter than on John Updike. Look, Charles Dickens wrote popular fiction. Shakespeare wrote popular fiction—until he wrote his sonnets, desperate to show the literati of his day that he was real artist. Edgar Allan Poe tied himself in knots because no one realized he was a genius. The core of the problem is how we want to define “literature”. The Latin root simply means “letters”. Those letters are either delivered—they connect with an audience—or they don’t. For some, that audience is a few thousand college professors and some critics. For others, its twenty million women desperate for romance in their lives. Those connections happen because the books successfully communicate something real about the human experience. Sure, there are trashy books that do really well, but that’s because there are trashy facets of humanity. What people value in their books—and thus what they count as literature—really tells you more about them than it does about the book.
Fiction is the lie through which we tell the truth.

His eyes beheld beauty not in reality but in the printed word. Standing in the waiting-room, he realized that in his life he had accepted secondary experience — the experience of reading someone else’s thoughts — over real life.
It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn’t want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines, it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. Because they were holding on to something… There’s some good in this world, Mr. Frodo. And it’s worth fighting for.
Sam
J.R.R. Tolkien, The Two Towers, The Lord of the RIngs






