humansofnewyork:

(¼)  “When I was twelve years old, they undressed a Tutsi girl in front of my entire school.  They wanted to see if her private parts were the same as other people.  She kept trying to cover herself with her hands while they pulled out her hairs one by one.  I can still hear the laughter.  Even with all the violence that came later, that was the most traumatic moment of my life.  It’s still the image I see when I’m trying to fall asleep.  The genocide didn’t begin until many years later, when I was twenty-five years old.  I was a soldier in the army.  I could tell the atmosphere was growing more and more tense.  Our commanders were openly using ethnic slurs.  There was talk of ‘wiping our enemies from this country.’  One night I was assigned to guard four Tutsi prisoners.  They’d been accused of making explosives but were clearly innocent civilians.  They’d been tortured.  Their wounds were rotten and stinking.  A major came to the cell at 1AM and ordered me to step aside. ‘These people need to be killed immediately,’ he said.  But I refused.  I told him those were not my instructions.  He pushed and screamed, but eventually he stormed off.  The prisoners were released a few days later, but someone followed them out and killed them.  It was a sign of things to come.”
(Kigali, Rwanda)

We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.

Tom Stoppard, Rosencrantz and Guildenstern are Dead
(via books-n-quotes)

Events that fill up space and reach their end when someone dies may cause us wonder, but some thing—or an endless number of things—dies with each man’s last breath, unless, as theosophy conjectures, the world has a memory. In the past, there was a day when the last eyes to have seen Christ were closed; the battle of Junín and Helen’s face each died with the death of some one man. What will die with me when I die, what pathetic or worthless memory will be lost to the world? The voice of Macedonio Fernández, the image of a brown horse grazing in an empty lot at the comer of Serrano and Charcas, a stick of sulphur in the drawer of a mahogany desk?

Jorge Luis Borges, from The Witness
(via nemophilies)